The Dallas Museum of Art has produced many beautifully designed, lavishly illustrated publications and brochures. Fascinating scholarly essays, arresting color plates, and numerous figural illustrations will delight and inform members, visitors, and scholars alike. Visit the Museum Store for a list of publications with price, availability, and ordering information.   

We invite you to click on the links below to access online versions of featured publications, along with further links to collection records, videos of lectures and discussions, and more. 

Dallas Museum of Art: A Guide to the Collection

Explore the world renowned collection of the Dallas Museum of Art in this lavishly illustrated, informative catalogue. Dallas Museum of Art: A Guide to the Collection showcases the full range and exceptional quality of the rich holdings of one of America's premier art institutions. The guide features over 400 stunning color photographs of pieces from the Museum's outstanding encyclopedic collection. Works from the ancient Americas, Africa, Asia, the Pacific, the ancient Mediterranean, Europe, and America are all represented, along with modern and contemporary pieces. Accompanying object entries offer descriptions, explanations of iconography, information on the artist or cultural history, and information on provenance and techniques.

African Headwear: Beyond Fashion

The exhibition African Headwear: Beyond Fashion presents a selection of headwear that was once—and in some instances still is—worn by kings and chiefs, religious practitioners, warriors, and men, women, and infants in many parts of sub-Saharan Africa. It demonstrates the importance of headwear as a means of nonverbal communication about the wearer’s position in society and the stages in his or her life cycle. Above all, the exhibition celebrates the artistry of the hats, which are fashioned from natural materials and found objects in the local environment, as well as from foreign products that became available through trade or conquest.

Gustav Stickley and the American Arts & Crafts Movement

Gustav Stickley and the American Arts & Crafts Movement accompanies the first nationally touring exhibition of Stickley’s work and explores his dual roles as a visionary business leader and enthusiastic proselytizer of design reform. The full range of Stickley’s workshops is illuminated, including more than 100 objects of furniture, metalwork, and textiles, as well as architectural drawings and related designs, many of which are previously unpublished. Essays by distinguished contributors provide diverse viewpoints on the Arts and Crafts movement and Stickley's evolving role as tastemaker, and the often contradictory messages conveyed through the construction and promotion of his designers’ works.


On October 25, 2008, the Dallas Museum of Art and amfAR, The Foundation for AIDS Research, held the tenth annual Two by Two for AIDS and Art auction at The Rachofsky House in Dallas, Texas. Since its inception, this event and its related activities have raised approximately $17 million for the contemporary art acquisition funds at the Dallas Museum of Art and for AIDS research and programs undertaken by amfAR. Two by Two has become the single largest annual source of contemporary art funds for the Dallas Museum of Art, and amfAR’s largest single annual fundraising event in this country.

México 200

The Dallas Museum of Art has exceptional holdings of Mexican art, from early Olmec sculptures to contemporary art installations. The DMA’s Mexican collection, with almost a thousand pieces, covers more than three millennia of Mexican art history. From sculpture to prints, from terracotta to gold, the Museum is able to display an incredible array of objects.

Ignite the Power of Art: Advancing Visitor Engagement in Museums

How do visitors like to experience art? What makes for an enriching museum visit? The Dallas Museum of Art undertook a groundbreaking seven-year research initiative to answer these questions, examining how people connect with art and identifying preferences and differing behaviors. Ignite the Power of Art publishes these findings and provides a new understanding of museum visitors.

The Arts of Africa at the Dallas Museum of Art

This beautifully illustrated book showcases 110 objects from the Dallas Museum of Art's world-renowned African collection. In contrast to Western "art for art's sake," tradition-based African art served as an agent of religion, social stability, or social control. Chosen both for their visual appeal and their compelling histories and cultural significance, the works of art are presented under the themes of leadership and status; the cycle of life; decorative arts; and influences (imported and exported). The objects are often accompanied by fascinating photographs that show the context in which they were used.

Gabriel Orozco: Inner Circles of the Wall

Gabriel Orozco’s Inner Circles of the Wall is a record of intense physical action performed in the service of creating a work of art, much like the Dallas Museum of Art’s Jackson Pollock painting Cathedral, on view in the gallery across from the Orozco exhibition. In each case, the artist used nontraditional materials to create what appears to be a traditional art object. For Pollock, it is the tradition of painting to which the artist contributed and from which he diverged. With Orozco, it is the idea of sculpture that he likewise seems to respectfully sustain as well as subversively revise.

A Painting in the Palm of Your Hand: 18th-Century Painted Fans from the Wendy and Emery Reves Collection

In 1985 the Dallas Museum of Art received a one-of-a-kind gift of more than 1,400 works from philanthropist Wendy Reves in honor of her late husband, Emery, establishing the Wendy and Emery Reves Collection. In addition to a world-renowned assemblage of impressionist, post-impressionist, and modern paintings, sculptures, and works on paper, her donation of European decorative arts, the area of her particular personal interest, founded the institution’s collection in that field.

Concentrations 51: Mark Handforth

For a specific site in the Dallas Museum of Art’s Sculpture Garden, Mark Handforth has created an enormous, lively, and surreal sculpture standing over fifteen feet tall. Made by “braiding” or “interlocking” basically three industrial found objects—an I-beam found at a demolition site, a working red-lighted lamppost, and huge anchor chains (each a foot long)—the work is perceived as a giant cobra snake, uncoiling and dancing, its red head reaching above the garden walls. In his proposal to the Museum, the artist stated, “The chain snake is an oversized readymade, an aggrandized piece of folk art—the kind of thing you might put your mailbox on, but of catastrophic proportion.”